dada means breaking the rules.
it means ripping apart the expected structures of acid, techno, ambient, hiphop, disco and noise, and reassembling them into something absurd, chaotic, and raw. dada destroys worlds the worlds of how we see, hear, and feel music. it shatters club tunes into experimental theater pieces, turns sampling artifacts and big-city noise into dancefloor anthems. it’s singing about not-singing. it’s dancing to the undanceable. dada transforms these genres into a playground of sonic rebellion. it laughs at the seriousness of music. it mocks the need for perfection. the music styles we know and love become canvases for absurdity, chance, and dark humor. music that doesn’t just sound different, but questions why it exists at all. in the end, dada doesn’t "fit" into these genres: its a virus and mutates their dna. the result: something uniquely broken and beautifully free.
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